Wonder Woman 1984 Thats how Steve Trevor will return

“Wonder Woman 1984”: That’s how Steve Trevor will return

Ever since it has been known that Chris Pine can be seen again as Steve Trevor at the side of Gal Gadot’s heroine in “Wonder Woman 1984”, fans have been wondering what is going on. Now there is the answer that has been suggested for a long time.

After it had already made the rounds before, two books now strongly suggest how “Wonder Woman 1984” brings back the dead Steve Trevor (Chris Pine). Probably because of a mistake, a “Wonder Woman 1984” novel aimed at a young audience and the children’s learning book “Wonder Woman 1984: Meet Wonder Woman (I Can Read Level 3)” have already appeared, although the film was postponed several times (originally yes, a cinema release scheduled for June 2020) is still a long time coming.

Thanks to these books, we now know, among other things, how Steve Trevor will return. Fans have been asking themselves this question since the announcement of the sequel to “Wonder Woman” and especially since the first trailer, in which the character who died in World War I suddenly appears in the 1980s and seems to have no idea what is going on.

Before the unveiling, however, two pointers: These are of course likely SPOILERS, so: Read on at your own risk! But also the important information that such books are mostly based on script versions and changes may still have been made. So details can differ.

These are of course likely SPOILERS, so read on at your own risk!

A dream stone as a key

A so-called dream stone (also known from some DC comics) is responsible for the return of Steve Trevor. This stone has the power of the gods, can fulfill one wish (but only one per person) – and ends up in the Smithsonian.

A so-called dream stone (also known from some DC comics) is responsible for the return of Steve Trevor.

Wonder Woman alias Diana Prince (Gal Gadot) works there together with her rather nerdy colleague Barbara Minerva (Kristen Wiig). Unaware of the power of the stone, Diana expresses her desire to get Steve back.

Unaware of the power of the stone, Diana expresses her desire to get Steve back.

Incidentally, the stone also gives Barbara Minerva powers (because she wishes to be like Wonder Woman), making the character the antagonist Cheetah used by the main villain Maxwell Lord (Pedro Pascal) – and Diana herself loses her powers more and more.

Prequel comics are coming

While the early publication of these books is probably a mistake due to the many postponements caused by the corona, a book that is directly related to the film is regularly on the market beforehand.

Recently the comic book “Wonder Woman 1984 No. 1 ”announced, which will be released as a prequel to the film in September. It contains two stories that are set just before the events in the film and are intended to show us how Wonder Woman set itself up in the 1980s.

Recently the comic book “Wonder Woman 1984 No. 1 ”announced, which will be released as a prequel to the film in September.

In the first story we already learn that Diana works at the Smithsonian. When there is a hostage situation there, Wonder Woman has to enter the scene. The events in the second story are probably a direct result of the fact that Wonder Woman has now shown herself again in public: someone is trying to steal her lasso of truth.

“Wonder Woman 1984” by director Patty Jenkins is now due to hit theaters on October 1, 2020, but this date can still be postponed. Distributor Warner has already announced as part of the recent postponement of “Conjuring 3” that it will keep an eye on the situation around the corona pandemic and the cinemas that are still largely closed in the USA and, if necessary, postpone further films.

“Wonder Woman 1984” by director Fmovies Jenkins is now due to hit cinemas on October 1st, 2020

If you want to buy the English books yourself, you can find them on Amazon:

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The Kissing Booth 2 on Netflix Joey King explains why the bad reviews dont matter

“The Kissing Booth 2” on Netflix: Joey King explains why the bad reviews don’t matter

“The Kissing Booth 2” was at least slightly better received by critics than the first part. In the variety podcast The Big Ticket, leading actress Joey King has now explained why that doesn’t matter to her anyway.

It’s not as if the critics generally have a problem with Joey King (“Independence Day 2”), on the contrary: She was literally showered with critical praise for her performance in the series “The Act” last year – and in the end There were also nominations for the Emmy, the Golden Globe and the SAG Award from the American Actors’ Association.

But with “The Kissing Booth” things are different: The first part is currently only 17 percent positive reviews on RottenTomatoes (as of July 30, 2020). “The Kissing Booth 2” still has 25 percent positive reviews, but of course that is no reason to jump for joy either.

“The Kissing Booth 2” still has 25 percent positive reviews, but of course that is no reason to jump for joy either.

And yet: Netflix also shot “The Kissing Booth 3” before the sequel was released – and even released a trailer straight away:

In America there is the term “critic proof” – it refers to films in certain genres, such as big action blockbusters or brutal horror films, where it doesn’t really matter what the reviews are because people go to the cinema anyway. Whether this is true is controversial: You could somehow imagine that films like “Men In Black: International” would have had more viewers if they hadn’t been panned so unanimously.

Be that as it may, the adjective seems to apply to the “The Kissing Booth” franchise. And in a podcast interview with Variety, Joey King has now also explained how she sees the matter: “I understand that the critics did not celebrate the film. But that’s the thing – it’s not made for critics to say, ‘Wow, what a movie!’ People should watch it and just have a good time. “

I understand that the critics didn’t celebrate the film.

The best from both worlds

Whereby Joey King argues in a more differentiated way than some colleagues who claim that the critics’ opinion misses the point anyway:

“I’m grateful that I got to do ‘The Act,’ which the critics said, ‘Oh, that’s great.’ But not everything you 123 MOVIES has to attract critics’ praise. That doesn’t mean that it isn’t successful anyway. And it doesn’t mean that it isn’t one of my favorite projects anyway. The fan reactions are all criticism I need to fill my heart. “

But not everything you do has to attract critical acclaim.

“The Kissing Booth 2” has been available on Netflix since July 24, 2020. “The Kissing Booth 3” has been announced for a 2021 release.

“The Kissing Booth 2” has been available on Netflix since July 24, 2020.

Channing Tatum is supposed to copy the Netflix success model for Amazon

Channing Tatum is supposed to copy the Netflix success model for Amazon

In the cinema one seemed to be tired of young adult material, on Netflix they are sure to hit the public. Amazon Prime Video also wants to get involved – and that’s why Channing Tatum gets on board for a target group-oriented Shakespeare version.

As the Hollywood Reporter reports, Amazon has the plan to produce more so-called young adult content, that is, more material for the target group of “young adults”, usually between 15 and 18 years old.

Amazon has the plan to produce more so-called young adult content

The idea behind it is obvious. Netflix celebrates one hit after the other with films and series that are strongly aimed at such an audience – most recently with “The Kissing Booth 2” and “Cursed”, for example.

One of the first projects that Amazon is launching as part of this strategy sounds very interesting.

Shakespeare, Tatum …

A still nameless film is loosely based on William Shakespeare’s “Macbeth”, because the focus is on a Lady Macbeth-like teenage girl who is confronted with the consequences of her ambitions.

A still nameless film is loosely based on William Shakespeare’s “Macbeth”, because the focus is on a Lady Macbeth-like teenage girl who is confronted with the consequences of her ambitions

How and whether the balancing act will succeed in transforming the famous literary figure, who manipulates her husband into a murderer and warmonger, into an easier teenage story is exciting.

The project will be a musical. Superstar Channing Tatum, who will implement the film with his production company FMOVIES Amazon Prime Video, is responsible for this. He does this together with the successful music manager Scooter Braun, who represents Justin Bieber and Ariana Grande, among others.

… and the director of “Anna and the Apocalypse”

The creative minds for the actual implementation have already been determined: the screenplay is written by the so far unknown author S.J. who is on the rise with several projects. Inwards, who also works for competitor Netflix at the same time: With a series called “Cursed Pirate Girl” she is also adapting a young adult material for the streaming giant with the red N.

Meanwhile, Amazon’s “Macbeth” project is being directed by a filmmaker, John McPhail, who has already proven that he can stage unusual youthful material with a lot of music: his Christmas horror musical “Anna and the Apocalypse” is one of the most creative zombies -Films of the past years and not only inspired us:

The review of “Anna and the Apocalypse”

A schedule for the production of the new Amazon film is not yet known. But Amazon should be very keen to get production going quickly, because the chances of success for such materials are currently very high in the streaming area.

Nothing is known about the cast either. It has not yet been revealed whether the “Magic Mike” star Channing Tatum will also be seen in front of the camera in addition to his role as producer.

As an actor he has recently made himself a bit rare, has only been active as a speaker a few times since “Logan Lucky” and “Kingsman 2: The Golden Circle”, both of which came to German cinemas in September 2017, but not more to be seen in a new movie or series.

Like Arielle with calypso music Disney makes new real-life musical adaptation for Disney streaming service

Like “Arielle” with calypso music: Disney makes new real-life musical adaptation for Disney streaming service

Disney will film the musical “Once On This Island” for its in-house streaming service Disney. In contrast to “Hamilton”, the piece is not simply shown as a stage musical recording, but Xmovies8 completely reissued as a feature film.

The musical “Once On This Island” is not particularly well-known in Germany – but that wasn’t Lin-Manuel Miranda’s “Hamilton” a while ago either, but at least since its premiere on Disney, the musical highlight has also been known in Germany.

“Once On This Island” could now be similar, because as Entertainment Weekly reports, Disney will now film the musical directly for its streaming service. In contrast to Hamilton, the musical will be reissued as a feature film and not shown as a compilation of stage performances.

“Once On This Island” could now be similar, because as Entertainment Weekly reports, Disney will now film the musical directly for its streaming service.

That sounds like a promising project, because Disney has a knack for musicals and the story of “Once On This Island” sounds exciting – and well known …

That’s what “Once On This Island” is about

“Once On This Island” combines elements from Hans Christian Andersen’s “The Little Mermaid” and Shakespeare’s “Romeo and Juliet”. The story takes place in the French Antilles in the Caribbean:

“Once On This Island” combines elements from Hans Christian Andersen’s “The Little Mermaid” and Shakespeare’s “Romeo and Juliet”.

A country girl named Ti Moune falls in love with the aristocrat Daniel, but this romance doesn’t live up to the social norm. This incites the island’s gods into a wager: Agwé (god of water), Erzulie (goddess of love), Asaka (mother of the earth) and Papa Ge (demon of death) argue about whether love or death is stronger .

“Once On This Island” debuted on Broadway in 1990. The musical is also available in a German translation; the first performance took place in Vienna in 2006. Since then, the piece has been seen on German stages from time to time.

Wanuri Kahiu directs for Disney Plus

SlashFilm describes the musical as “The Little Mermaid” (already filmed by Disney as “Ariel, the Mermaid”) with a calypso flair (calypso is a Caribbean style of music).

The director is the Kenyan filmmaker Wanuri Kahiu, whose LGBTQ drama “Rafiki” was the first Kenyan film to premiere at the Cannes Film Festival in 2018 and was nominated for two awards, while it was initially banned in his home country due to its subject matter. However, after Kahiu complained, the Kenyan Supreme Court lifted the ban.

The Kenyan filmmaker Wanuri Kahiu is on board as the director

Jocelyn Bioh (“Matryoshka”) will write the script for the adaptation, with Marc Platt, a musical experienced filmmaker, on board as the producer. Platt already produced a. a. “La La Land”, “Into The Woods” and “Mary Poppins’ Returns”.

Are you interested in the Disney streaming service? You can take out a subscription under this link. *

New on Disney in August 2020: Disney’s “Harry Potter” and the return of a children’s film icon

Just no Werthers real grandpas Big interview with Max and the Wild 7 director Winfried Oelsner

Just no Werther’s real grandpas: Big interview with “Max and the Wild 7” director Winfried Oelsner

First he wrote the novel and the screenplay with his partner Lisa-Marie Dickreiter – and then he was responsible for the film as a director: We talk to Winfried Oelsner about the children’s crime thriller “Max und die Wilde 7”.

Max is nine and lives in a retirement home. First there were three novels about the young detective who solves 7 criminal cases together with a smart senior trio named Wilde. This week, a movie called “Max und die Wilde 7” was launched, in which the title hero is played by the young actor Jona Eisenblätter. A real success story from start to finish. But how did it all come about?

: How does it actually work to write a novel for two?

Winfried Oelsner: We have always called it a ping-pong game. First an idea was developed, from the film business we are already used to the work steps Exposee and Treatment. And then we actually first wrote a script for the novel – but it has nothing to do with the film now.

Winfried Oelsner:

We just wanted to find out how the characters, how the scenes work. So we lashed the plot – and only then started the actual novel. Lisa wrote the first version of the text because it comes from prose. We then kept revising that together, but not every sentence was discussed from the start.

: When you were writing, were you sure that the novel would be made into a film?

Winfried Oelsner: No, not at all. The idea for the novel arose spontaneously, we don’t even come from the children’s film scene. Lisa suddenly had this first sentence in her head: “My name is Max, I’m nine years old and I live in a nursing home.” She called me and we noticed that there was something in it: a little Miss Marple, an adventure story, a friendship story in between the generations.

Winfried Oelsner:

There was the idea of ​​making a film material out of it right away – but we decided on the novel after all, with the ulterior motive that it would be easier with the film if the book is successful.

FILM STARTS: “Max und die Wilde 7” is now coming to the cinema at a time when grandparents and their grandchildren have not been able to see each other for months, because visits to the old people’s home were advised against …

Winfried Oelsner: Of course, it wasn’t planned that way. But for us it was always about telling a generation story – and not with these kind senior citizens whom we jokingly called Werthers-Real-Grandpas. Just like in the candy advertisement, in which the grandfather paints the garden fence and everyone is noble and good. That’s exactly what we didn’t want. We tell of a gang that sometimes gets along rough with each other.

Winfried Oelsner:

It was the distributor’s decision that the film should come out now. I think it’s good – of course it’s a risk, but it yesmovies in with the times and people want to go to the cinema again. I hope that we can sweeten the summer for many children a little.

They say shit after all

: One thing that you have kept in spite of criticism in Amazon user reviews, for example, is the language, which is sometimes a bit rougher when people say “shit”. I have to admit: I think that’s great, the whole film feels much more “real” …

Winfried Oelsner: You say it. You really spoke from the bottom of my heart to your film review. There is a contradiction, especially at Amazon – and at first you wonder how to deal with it. But especially in the context of our story, it is important that the characters are authentic – and if they use a rougher word in extreme situations, then that’s lifelike.

Winfried Oelsner:

If we only used the swear words as a means to make the characters appear “cool” and “hip”, then I would find the criticism justified. Otherwise, I see it the other way around: If you polish everything up smoothly, then you turn it into a germ-free thing. It is less exciting and less fun for the children.

I talked a lot with primary school teachers, and we also did test screenings – also on this very subject. The reaction was always: “Leave it that way!” There are always parents who get upset about it, that’s their opinion and that’s okay too. But one mustn’t sand everything smooth out of hasty obedience either, that bothers me anyway with German film, which is often proceeded too anxiously not to offend anyone.

FILM STARTS: One thing that has been added to the film, however, are the numerous self-deprecating allusions to the real career of Uschi Glas, who embodies the seasoned actress Vera in “Max und die Wilde 7” …

Winfried Oelsner: For Vera, we wanted someone with the necessary star power, but who is also willing to approach the matter with a certain wink – and fortunately, Uschi Glas was immediately hooked. It then developed from this willingness – the star cuts, the Bravo Otto’s, the allusions to their own films. It really was the case that we discussed on the set that it would be nice if we had a few more film awards for Vera. Uschi only said: “Yes, I have everything at home, you can have it.”

Winfried Oelsner:

: Did the idea arise out of a general admiration for the acting icon Uschi Glas? Or did you have a crush on her as a teenager yourself?

Winfried Oelsner: No, that was a bit before my time. The star cuts were made in the seventies – and I was born in 1972, so I only read Bravo in the eighties. So Uschi Glas is not one of my childhood favorites, I would lie.

Winfried Oelsner:

There are actually two castles behind the Geroldseck

MOVIE STARTS: The retirement home in the fictional Geroldseck Castle is the most important setting in history. Did you have a role model in mind when you wrote the novel? Or did you just look for the set specifically for the film?

Winfried Oelsner: We first looked for the castle for the film – and that was very lucky. Because it is important to believe that a retirement home will fit in there. Many castles look big in photos, but are actually quite small. We then found our exterior motif in Braunfels Castle – the walls are so wonderfully nested, there are many nooks and crannies.

Winfried Oelsner:

We found the right interior in Büdingen north of Frankfurt. Years ago, the princely family lived there personally – and many of the rooms are still in a habitable condition to this day. So we didn’t have to completely furnish empty rooms or empty a museum first. It felt a little like we were filming in people’s living rooms.

Is there a sequel?

FILM STARTS: If you want to make a second part of children’s films, you usually have to hurry up – on the one hand, the young actors are getting older, on the other hand, the target audience also grows from the appropriate age …

Winfried Oelsner: That is exactly the problem. We’d like to do a second part, we’re already working on the script. But of course it also depends on the success of the first film. The advantage is: “Max und die Wilde 7” starts pretty unrivaled, it fills a gap and thus gets more time to breathe. I hope for a decision in the fall. Then we could shoot in summer 2021 and bring the second part to the cinemas as soon as possible. Not too big a gap would be great.

Winfried Oelsner:

: If you shoot a second part, will it be the story from the second volume of the novel series?

Winfried Oelsner: Yes. With “The Ghost Grandma” we have expanded the story twice: On the one hand, it is a scary genre, because the castle is haunted – and on the other hand, football is becoming an important topic. It’s about a match between a school team and a senior team – we would like to see cameo appearances from old football legends, we have already made initial contacts.

Winfried Oelsner:

“Max und die Wilde 7” has been in German cinemas since August 6, 2020.

“Max und die Wilde 7” has been in German cinemas since August 6, 2020.

xXx 3 The Return of Xander Cage Sad detail sheds new light on the best part of the series

“xXx 3: The Return of Xander Cage”: Sad detail sheds new light on the best part of the series

The action film series with Vin Diesel is often ridiculed tiredly, but offers the audience many spectacular stunts that even claimed a human life in “xXx: Triple X”. In part 3, protagonist Xander Cage pays tribute to the deceased.

Muscle-packed, tattooed from top 123Movie. bottom and with a preference for beautiful women, fast cars and fur coats, Xander Cage (Vin Diesel) is often laughed at when compared to other action heroes. In any case, you shouldn’t take the “xXx” franchise too seriously – the series is supposed to be just fun anyway.

And for that, among other things, elaborate action scenes should also be provided, which were largely filmed “on location” and not simply animated in the studio. Vin Diesel’s stuntman lost his life while filming the first part:

Diesel double Harry O’Connor died while filming “Triple X” in April 2002 when he crashed into a bridge while filming a parasailing scene.

Diesel double Harry O’Connor died while filming “Triple X” in April 2002 when he crashed into a bridge while filming a parasailing scene.

It was the second take of that scene after the first shot was taken without any problems – and ultimately found its way into the film.

Homage in “Triple X 3”

The incident reminds one that even for entertaining films that are not always meant seriously, people still risk their lives every day. Especially with films in which the heroes seem invulnerable (Xander Cage is by no means Vin Diesel’s only role that shows superhuman tendencies), that’s exactly what you can forget.

As a reminder of the tragic accident and homage to his former stuntman, Vin Diesel wears Harry O’Connor’s name as a tattoo on his leg in “xXx 3: The Return Of Xander Cage”.

As a reminder of the tragic accident and homage to his former stuntman, Vin Diesel wears Harry O’Connor’s name as a tattoo on his leg in “xXx 3: The Return Of Xander Cage”.

You can see the tattoo (and the film around it) on August 9, 2020 at 8:15 p.m. on tv.

Is “The Return Of Xander Cage” worth it?

Apart from this sad detail, the third “Triple X” movie is pretty gaga – although in this case it is actually meant as a compliment. Because even if every second of the action adventure is so over the top, the whole thing is somehow very funny.

The review for “3: The Return Of Xander Cage”

The fact that “The Return Of Xander Cage” is even the best film of the series for us is not least due to the diverse, but sometimes quite absurd cast: In addition to the returnees Vin Diesel and Samuel L. Jackson, you also get the Martial – Arts aces Donnie Yen and Tony Jaa, Oscar winner Toni Collette, “Vampire Diaries” star Nina Dobrev, ex-Batwoman Ruby Rose, Bollywood star Deepika Padukone and soccer player Neymar.

The Irishman Martin Scorsese issued cell phone ban and want you to look the three and a half hours at a stretch

“The Irishman”: Martin Scorsese issued cell phone ban and want you to look the three and a half hours at a stretch

Director Martin Scorsese does not want to cut up his three and a half hour Mafia epic “The Irishman” as a series on Netflix. Neither the film is rjecommended, according to him, on cell phones or smart phones – most on big iPads.

Three and a half hours of movie watching at a time is a long time – that’s Martin Scorsese aware. Nevertheless, the legendary director, has recently spoken clearly, however, the staged as a movie epic “The Irishman,” which is available at Netflix since November 27, 2019 to look up, even divided into episodes and so almost as a TV series. That was not in the sense of Scorsese’s staging.

Now Scorse has in the YouTube Show Popcorn With Peter Travers another, almost desperate plea refilled at the Netflix audience – namely just do not consume “The Irishman” on the small screens of mobile phones and smartphones:

namely just do not consume “The Irishman” on the small screens of mobile phones and smartphones

“The Irishman” on the iPad?

Since then, “The Irishman” is available on Netflix, users also have the opportunity to see the gangster stripes across their Netflix app mobile. For Scorsese such mobile sighting would however be a sin – with one exception:

For Scorsese such mobile sighting would however be a sin – with one exception:

“I would suggest if you ever want to ever actually see one of my films or most movies, you look at it, please, please do not on a phone, please. An iPad, maybe a big case. ”

However, the iPad fig leaf sounds it just like a not really serious intentional surrender in the fast-paced era of mobile devices, but can not play worthy of the many details in his Mafia epic loud Scorsese.

Scorsese’s Guide for Netflix home theater

Despite declining attention spans, the director, meanwhile, is sure that the long “The Irishman” can only work well at a time:

“It was an interesting narrative structure, and it has drawn me every time. […] Ideally I would like you to go to a movie and watch it from start to finish on a big screen. And I know it is long – they have to get up, they have to go to the bathroom, something like that, I understand. But even in their home they would soch but an evening or an afternoon can free of where they know that you will not go answer the phone or not rise too much, then it might work as well. ”

But even in their home they would soch but an evening or an afternoon can free of where they know that you will not go answer the phone or not rise too much, then it might work as well.

A bred Scorsese instructions for the Netflix home theater! So completely is the director can not accept the fact apparently that his film after a limited theatrical release already on the streaming platform of its producers Netflix is ​​available.

That Scorsese is the traditional movie feels more obliged is thereby also underlined again by his answer to the question of whether he could imagine, even movies only to turn for smartphones: “I do not know how to do it. I wish I could, but I do not know how. No, I do not understand it. ”

“The Irishman” with Robert De Niro, Al Pacino and Joe Pesci is available on Netflix since November 27 of 2019.

“The Irishman” with Robert De Niro, Al Pacino and Joe Pesci is available on FMOVIES since November 27 of 2019.

Robert Downey Jr cuddle with cute little animals on posters for The fantastic journey of Dr Dolittle

Robert Downey Jr. cuddle with cute little animals on posters for “The fantastic journey of Dr. Dolittle”

After “Avengers: Endgame” Robert Downey Jr. has taken the Iron Man armor. The poster of “The fantastic journey of Dr. Dolittle “but not back him, but the animals in the foreground. Because they are likely to be the film’s true stars.

Robert Downey Jr. is unquestionably the driving force of “The fantastic journey of Dr. Dolittle “. Finally, he mimes the eponymous Dr. Dolittle, an eccentric Zoobesitzer with the unique gift of the language of all animals both understand and be able to speak.

And this gentleman Dolittle is the one who wraps up his animal buddies and embarks with them on great adventure trip to procure a remedy for the seriously ill monarch Victoria (Jessie Buckley) from a mysterious island full of dangers.

But Dolittle, despite its linguistic special talent just a despicable human being. The real eye-catcher of the film, however, are likely to be his animal companions.

Sweeter than Robert Downey Jr .: The animal figures

For the numerous animal companions in Stephen Gaghan’s film’re all animated, but also a gift for languages ​​- and they are spoken by many pretty-known co-stars:

Do not immerse the (presumably also animal) character named Ginko-Who Soars on Carmen Ejogo as a lioness Regine and Frances de la Tour on the posters.

Dr Dolittle is available at Free2Watch.net

Joker Arthur is a system sprinkler without bite

“Joker” Arthur is a system sprinkler without bite!

“Joker” covers topics such as the gap between rich and poor and the exclusion of the mentally ill. But why nothing is stuck with our editor Christian fussy about it, he knows since he has seen “System Sprenger”.

+++ +++ opinion

+++ +++ opinion

Todd Phillips’ “Joker” with the German Academy contribution to compare “system Sprenger” seems admittedly not so far-fetched. After all, it is in the former by a harsh and bloody thriller with comic roots in the style of “Taxi Driver” and the latter to a touching, only selectively cinematically stylized social drama. Nevertheless, the two films have more in common than it seems at first glance seem.

Both in “System Sprenger” and in “Joker” is a figure at the center, which is drawn by childhood trauma and whose life is marked by rejection and loneliness.

However, the big difference is that the social criticism sustainable acting in “System Sprenger” and even long thoughtful right after watching a movie while it comes in “Joker” toothless and fuzzy and really only raises the question of what Todd Phillips now actually with his film wants to say.

So me a “system Sprenger” concept was really aware only after my visit, why exactly the socially critical level “Joker” is how it works at all for me.

Gotham deserves the Joker

Arthur Fleck experienced on its way from battered doormat a symbol of frustrated, oppressed masses a setback after another.

His idol Murray Franklin (Robert De Niro) do not live on TV fun of him, he loses his job, he can no longer afford his medication and his social isolation leaves him increasingly drift into his delusions.

As a child he was abused by lovers of his mother and the only prospect of improvement is the billionaire Thomas Wayne, whom he believes to be his son. As he lies in wait for Wayne and confronted with this allegation, but this knocks him down.

“Joker” shouts one formally in the face that the world is bad for Arthur around. Until the dramatic final there is no doubt that the rich elite to Wayne is corrupt and for the underlayer without revolution is no hope in Gotham.

“Joker” shouts one formally in the face that the world is bad for Arthur around.

Figures without grayscale

The killing of drunken Wayne Enterprises employee in the subway that brings the story rolling seems justified by the fact. Arthur kills because he is afflicted, and half the town will celebrate him for a hero. In the context of the film are the Wall Street proles, he shoots, quite simply repulsive man. Grayscale there are none.

Thomas Wayne is then the greatest cartoon of all. The mayoral candidate has apparently beating during its ongoing campaign no qualms about a confused, mentally ill man in a public restroom.

It would have been much more shattering for Arthur and the audience that he had made clear to Arthur for a quiet conversation in Wayne Manor, that it can never be the father for him, which he so desperately wants.

Arthur’s way works by fully enforced. At no time has the feeling that the events could have a different outcome. The conversion to the gunman virtually seem inevitable.

The tragedy of failure

In “System Sprenger” however, there is no real villains, but only people who make mistakes because of their circumstances and their own shortcomings, fears and mental health.

In “System Sprenger” however, there is no real villains

In the center of the action is in “System Sprenger” the nine-year-old Benni (Helena Zengel), which scared away a foster home after another and is considered extremely aggressive and unpredictable. Throughout the film, the social worker Micha (Albrecht Schuch) tries to get through to Benni, while the dedicated youth office employee woman Bafané (Gabriela Maria Schmeide) moves heaven and earth to finally give Benni a real home.

Again, the desire of the main character is by loving parents and break out of the social misery a central element of the story. And here it looks for a moment as if could be for them everything still turn out well.

Towards the end of the film may Benni namely finally live with her birth mother (Lisa Hagmeister), a development that she has longed for throughout the film. This then realized, however, that it has too much fear of Benni and the task to educate them, has not grown. She flees from their responsibilities, once again breaks her daughter’s heart.

Anger that remains

However, the really cruel thing is that the movie demonized anyone and also has no easy answer. Instead Bennis caregivers to show as cold and ruthless, shows “System Sprenger” loving but ultimately helpless people who sacrifice themselves to the nervous breakdown.

The crucial difference in the presentation of the tragedy of abandoned by society down people is that “the system sprinkler” his characters not treated as tools whose actions against the main character and serve only alone to bring about their case.

Instead, we observe three-dimensional characters whose transgressions are tangible and comprehensible and for their failure there is no easy scapegoat movies front.

“Joker” has for its main character is no way out and transplanted them into a merciless world.

“Joker” has for its main character is no way out and transplanted them into a merciless world.

however, “Sprenger system” can Benni absolutely take every possible way and shows how one after the other as a dead end herausstellt.So remains in the end the audience nothing more than hopelessness and helplessness.

however, “Sprenger system” can Benni absolutely take every possible way and shows how one turns out to be a dead end after another.

“Joker” and “System Sprenger” currently running in German cinemas.

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New to Netflix in November 2019 This film and series highlights await us

New to Netflix in November 2019 This film and series highlights await us

Above all, a Netflix-November launch is eagerly anticipated world: Martin Scorsese’s mob epic “The Irishman” with Robert De Niro and Al Pacino. But beyond Netflix delivers again in November a varied program.

For many years wanted to Martin Scorsese ( “Goodfellas”) implement the project, Netflix finally made it possible – and so we can look at the three and a half hour Mafia epic “The Irishman” from 27 November 2019 for the master director’s Canvas legends Robert De Niro, Al Pacino and could gather Joe Pesci on camera. It is probably the heißesten expected Netflix start of the year – and look to the Oscars in 2020, he runs in front of the platform start even in the cinema.

View from the November 27, 2019, the three and a half hour Mafia epic “The Irishman”

Cinema scanner beyond the November program can quite impressive. As early as November 1, there is the elaborate histories drama “The King” with Timothée Chalamet and Robert Pattinson (which has sadly disappointed us some), on November 15, starts with “Where the earth shakes” another star-studded production Netflix (among others with Alicia Vikander).

Also from 15 November, there is also the first animated film of the streaming service, the Christmas fun “Klaus”. Series fans can look forward to while new seasons of two of the best Netflix series: On November 5, is “The End Of The F *** ing World” in round two, on 17 November the 3rd Season starts from ” The Crown “with New Queen Olivia Colman (” The Favorite “).

But of course that was not all …